![]() This is the best way to ensure an even lighting across. Each light should be the same distance away and at the same angle. This is with a large subject, but it works just as well with a single person. Once you have your subject the way you want them, it’s time to position the lights to target the green screen. I put a $5 handle on each light and we clamp them into a C-Stand, but you could just as easily hand it from one end on a ceiling hook or tied to a tripod - just make sure its parallel to the wall and that both are the same distance from the wall so that the lighting is even.ĮDIT: Here - I found a pic form last summer when I was showing a group of students how to setup a few chroma styles. Light the talent with standard lighting and it looks beautiful. The vertical orientation gives a nice even light for the whole height of the talent and the falloff of the fixtures is perfect to stay even across the whole screen and none of our screen light gets on the talent. Now you're set for a great key.Īnd separate lighting is important - I run a few studios at a university and we have all kinds of tools for lighting, but my favorite green screen lights are two shop light florescent fixtures that I picked up for $15 each at the hardware store - each is mounted to a stand to run up and down and set juuuust behind and on either side of the talent. now if you adjust the exposure again you should see it go from no zebra to all zebra in a click or two, which means the camera is seeing constant light exposure over that whole screen area. now you should be able to adjust your lighting until you have all zebra over the entire green screen. I figured I was basically paying $175 to remove wrinkles from the sheet and my results are worse for it.Ī great trick for green screen - If you have zebra on your camera turn it on and then manually bump the exposure up or down until the screen gets the Zebra lines on it. There's no good way to permanently mount the sheet.Īny advice? I'm pretty bummed. I really like the convenience of the screen being in the projector screen though. We provide only the best in professional-quality true ChromaKey green screens made of non-glare materials to help you with your lighting and production. Given the positive reviews for the Elgato, I'm inclined to blame myself, but I'm also not enthusiastic about burning a bunch of time when I could just return it, go back to the sheet, and deal with a lower quality key. The Projector Screen Store offers you the best fixed and retractable green screens, with all of the size and price options you need to make your next video or presentation unforgettable. The sheet was pretty much a one click affair, now I'm messing with white balance and the whatnot trying to get better results. If you want to see more new HD updated green screen animated videos, then subscribe to my channel and in go to this link play li. The color appears to contain more yellow than the sheet. Unfortunately, it's MUCH harder to work with. The edges were boiling a bit, so I figured an upgrade in the actual green screen might help in that area so I ordered a green screen from Elgato. I had an old green sheet lying around and got decent results(lower right). I've been wanting to start streaming application tutorials lately and figured I'd try my hand at using a green screen. I’m open to any and all advice on this one.Clockwise: Source image, Elgato keyed, crappy sheet keyed, Better key from crappy sheet We do have the option of pulling out some of the ceiling tiles, however the support rig would still be in place so that would likely create shadows? Basically, it’s 8ft tall, 16ft feet, and extends out 9ft from the wall. We have external mobile lights already, but I want to do everything I can to get some nice uniform lighting on the green screen.Īttached are some pictures and measurements of the setup. I need some advice (and hopefully a rough estimate) to doing a proper set of mounted lights. I will be the first to admit that I am not an expert when it comes to lighting which is why I’m getting in touch. I know it’s not the perfect setup, but we’re pretty excited to have it. This summer, after fundraising and applying for grants, we have been given the go-ahead to create some studio space for students to film in. I am a teacher at a highschool who oversees the video production and film program.
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